展覽 進行中
向度—廖美文個展
藝術家廖美文以陶藝作為思考的延伸，從摺紙經驗與幾何邏輯出發，探索形體如何成為觀看世界的另一種語言。她特別關注當代社會中秩序、認知與感知方式的形成，並嘗試在陶土的折、皺、轉折與交界中，建立一種介於理性與感性之間的觀察結構。作品中的線、面與角度彼此牽動，形成一套可被閱讀的結構系統；透過方向性的推進與層次的變化，使「向」得以成為觀看的起點，「度」則轉化為理解的深度與廣度。
本展中的十四件立體作品，以陶土的可塑性回應思辨的可能性。不同的形體組合、光影流動與表面張力，象徵個體在世界結構中尋找自身位置的過程。作品不以呈現具象景物為目的，而是以純粹的形與面，開啟觀者對空間、秩序與內在認知的再思考，使陶藝成為思維的容器與觀看的新的向度。
Dimension—A Solo Exhibition by Mei-Wen, LIAO
For artist Mei-Wen, LIAO, ceramics serve as an extension of thought, a way to explore how form can become a language for seeing the world. Drawing inspiration from the logic of geometry and the delicate structures of paper folding, her work investigates how perception, cognition, and systems of order are shaped in contemporary life. Through folding, creasing, and intersecting clay, she constructs a framework that exists between the rational and the intuitive. In her sculptural practice, lines, planes, and angles interact to form readable systems, structures that speak in silence. As directional flow shifts and layers unfold, Xiang becomes a point of departure for seeing, while Du transforms into the depth and breadth of understanding.
The fourteen ceramic sculptures featured in this exhibition respond to the possibilities of thought through the malleability of clay. The variations in form, the flow of light and shadow, and the tension of surfaces symbolize the process of the individual seeking their place within the structures of the world. These works do not attempt to depict concrete imagery; instead, through pure form and spatial dialogue, they invite viewers to reconsider space, order, and inner awareness. In this way, ceramics become containers for thought and portals into a new dimension of seeing.
本展中的十四件立體作品，以陶土的可塑性回應思辨的可能性。不同的形體組合、光影流動與表面張力，象徵個體在世界結構中尋找自身位置的過程。作品不以呈現具象景物為目的，而是以純粹的形與面，開啟觀者對空間、秩序與內在認知的再思考，使陶藝成為思維的容器與觀看的新的向度。
Dimension—A Solo Exhibition by Mei-Wen, LIAO
For artist Mei-Wen, LIAO, ceramics serve as an extension of thought, a way to explore how form can become a language for seeing the world. Drawing inspiration from the logic of geometry and the delicate structures of paper folding, her work investigates how perception, cognition, and systems of order are shaped in contemporary life. Through folding, creasing, and intersecting clay, she constructs a framework that exists between the rational and the intuitive. In her sculptural practice, lines, planes, and angles interact to form readable systems, structures that speak in silence. As directional flow shifts and layers unfold, Xiang becomes a point of departure for seeing, while Du transforms into the depth and breadth of understanding.
The fourteen ceramic sculptures featured in this exhibition respond to the possibilities of thought through the malleability of clay. The variations in form, the flow of light and shadow, and the tension of surfaces symbolize the process of the individual seeking their place within the structures of the world. These works do not attempt to depict concrete imagery; instead, through pure form and spatial dialogue, they invite viewers to reconsider space, order, and inner awareness. In this way, ceramics become containers for thought and portals into a new dimension of seeing.
活動詳情
- 2026-03-02 — 中原大學