展覽 進行中
層疊之境—方昭茨個展
藝術家方昭茨的創作源自旅居山林與回到都市之間的心境轉折。遠離熟悉生活後重新面對自我，讓她得以在自然的緩慢節奏與城市的快速流變中，看見情感、記憶與身體感知的細微變化。陶土被她視為情緒的載體，透過堆疊、切割、縫補與支撐，使內在狀態逐層沉積在形體之中。時間、環境與經驗在作品裡彼此交錯，如同回憶的片段被重新拼合，成為可被凝視的心理地景。
展覽中的六件作品，呈現出既離散又緊密的矛盾質地，反映個體在遷徙、適應與回望中反覆調整自身的位置。從山林的靜謐過渡到城市的張力，材料的痕跡與表面裂縫皆象徵情感在壓力與修復之間的震盪。作品所建構的空間不只是外在環境的回應，更是一段內在狀態的層疊；在陶土的質感裡，記憶被重新觸發，土地得以發聲，生活的矛盾與力量也悄然浮現。
The Realm of Layers—A Solo Exhibition by Chao-Tzu, FANG
Artist Chao-Tzu, FANG’s creative practice emerges from the emotional shifts between living in the mountains and returning to the city. Stepping away from familiar surroundings and confronting the self anew, she becomes attuned to the subtle changes in emotion, memory, and bodily perception shaped by the slow rhythms of nature and the rapid flux of urban life. To Chao-Tzu, clay becomes a vessel for emotion. Its surface layered, cut, mended, and supported, allowing internal states to settle into form, layer by layer. Time, environment, and experience intertwine within the work, like fragments of memory pieced back together into a psychological landscape open to contemplation.
The six featured works embody a texture of contradictions, at once dispersed and closely bound, echoing the individual’s continuous negotiation of place amid movement, adaptation, and reflection. Transitioning from the stillness of the forest to the tension of the city, the cracks and traces within the material mirror the tremors of emotion navigating between pressure and repair. The spaces constructed by her works do more than respond to external environments; they evoke an inner layering of states. Within the tactile quality of clay, memory is reawakened, the earth speaks, and the contradictions and quiet strength of lived experience begin to surface.
展覽中的六件作品，呈現出既離散又緊密的矛盾質地，反映個體在遷徙、適應與回望中反覆調整自身的位置。從山林的靜謐過渡到城市的張力，材料的痕跡與表面裂縫皆象徵情感在壓力與修復之間的震盪。作品所建構的空間不只是外在環境的回應，更是一段內在狀態的層疊；在陶土的質感裡，記憶被重新觸發，土地得以發聲，生活的矛盾與力量也悄然浮現。
The Realm of Layers—A Solo Exhibition by Chao-Tzu, FANG
Artist Chao-Tzu, FANG’s creative practice emerges from the emotional shifts between living in the mountains and returning to the city. Stepping away from familiar surroundings and confronting the self anew, she becomes attuned to the subtle changes in emotion, memory, and bodily perception shaped by the slow rhythms of nature and the rapid flux of urban life. To Chao-Tzu, clay becomes a vessel for emotion. Its surface layered, cut, mended, and supported, allowing internal states to settle into form, layer by layer. Time, environment, and experience intertwine within the work, like fragments of memory pieced back together into a psychological landscape open to contemplation.
The six featured works embody a texture of contradictions, at once dispersed and closely bound, echoing the individual’s continuous negotiation of place amid movement, adaptation, and reflection. Transitioning from the stillness of the forest to the tension of the city, the cracks and traces within the material mirror the tremors of emotion navigating between pressure and repair. The spaces constructed by her works do more than respond to external environments; they evoke an inner layering of states. Within the tactile quality of clay, memory is reawakened, the earth speaks, and the contradictions and quiet strength of lived experience begin to surface.
活動詳情
- 2026-03-02 — 中原大學